Conspiracy | |
 | Conspiracy is a post-postmodern video artwork/experimental documentary eclectic by nature borrowing from the genres of electronic social media, documentary film making, painting and sound production.
A group of primary school children tell stories of the conspiracy by corporations and governments to actively suppress the development of inventions that would enable the creation of limitless, non polluting, virtually free energy to power homes, cities and modes of transport. They equate the behavior by these adults involved in the suppression to their social development. The children’s plea is to end this suppression and thus create a better future for all peoples of all ages.
submitted on 2013-01-28 - (show video) Tweet |
Where Do You Go When You Die? | |
 | Following an animated introduction consisting of a collage of digitally painted images inspired by pictures found in Google using the words children and war, a group of primary school children are individually asked 'Where do you go when you die'? Their answers fall across a range of spiritual beliefs and philosophies in that wonderfully innocent jumbled perception of a preteen child.
Where Do You Go When You Die? is a post postmodernist artwork eclectic by nature borrowing from the genres of contemporary film, electronic media, painting and sound production to deliberately tease and play wit (...) (read more) - submitted on 2013-01-28 - (show video) Tweet |
Fatima | |
 | What has behind a terrorist attack. For the official version: military fanaticism or religios, badness, blindness, perversion (there are no collateral damage here). Nevertheless they are human beings, whom they love, cry, that they have family, that is due to their gender, which, essentially want to live. Human beings who decide to sacrifice that life that as much they love so that the things improve for the others The death never has justification and it is not possible to excuse it, But by that human being, turned into terrorist by the circumstances of the life, we must have a great pity. They are not those that they invented that to give the life by the mother country is the sacrifice supreme. submitted on 2013-01-28 - (show video) Tweet |
= | |
 | The video is claim equal for the rights of Muslim women. submitted on 2013-01-28 - (show video) Tweet |
A special day | |
 | What remains in my memory, through my parents, in a story during a whole day.
(Any resemblance to reality is purely coincidential) submitted on 2013-01-28 - (show video) Tweet |
Fast | |
 | Fast is a burst of imaginative and dreamy panoramas
submitted on 2013-01-28 - (show video) Tweet |
Information Overload (Sequence #1) | |
 | Sequence #1 in Information Overload series. "Information overload" refers to the difficulty a person can have understanding an issue and making decisions that can be caused by the presence of too much information and visual stimuli. It also relates to an overabundance of incoming information into the senses and sensory overload that was thought to cause disorientation and lack of responsiveness. submitted on 2013-01-28 - (show video) Tweet |
Une autre jetée | |
 | Une Autre Jetée, a short film by Pasquale Napolitano
On stage: Elettra Boccia
Sound design by Sec_
Audio and video samplers from "La Jetée", Chris Marker, 1962
Text from: "Straniero in Terra Straniera" Stranger in a Strange Land, 1962
Shooted between march and december 2012; edited between november 2012 and january 2013; aspect ratio: HDV 1440x1080 wildscreen; running time: 8'53"
A paradoxical and personal reading-tribute-distortion of a masterpiece of independent cinema: La Jetée (1962), Chris Marker, master of cinema and freedom, image and story.
The meaning of the threshold, (...) (read more) - submitted on 2013-01-27 - (show video) Tweet |
L'ignobile rosso | |
 | An ironic and sharp video animation dedicated to a poor and desolating human genre. Going through several vicissitudes, people with no head chase frantically, with all the means at their disposal, their craving for power, becoming slaves of compromises. Each one of them prostate before this call that becomes ever more strong and powerful, while the freedom for which they had been longing for is ever farther. submitted on 2013-01-27 - (show video) Tweet |
Look at me nippon | |
 | Inspired by the people I ran into on the streets in Japan who were desperately looking for others attention. They in a way appeared as what they could do best to grab people’s attention, however they could even hardly catch a glimpse of the people walk by. By bringing out a small part of the world that can be easily seen most of civilized countries, this short video is examining the reality of what is called the attention-driven world. submitted on 2013-01-26 - (show video) Tweet |
tribal Tribal | |
 | tribal e TRIBAL, due generi a confronto.
tribal and TRIBAL, a comparison of two genres.
submitted on 2013-01-26 - (show video) Tweet |
9 - 06 - 83 | |
 | Ritratto di Anna
Anna’s portrait submitted on 2013-01-26 - (show video) Tweet |
4B movie | |
 | Cosa hanno in comune, a parte la lettera B, Beckett, Buster Keaton, Bene e Bergman? Sono tutti portatori di una visione che si coagula nell’occhio di un’attrice/spettatrice. Una visione in bilico tra fisico e metafisico.
What do they share, apart from 'B', Beckett, Buster Keaton, Bene and Bergman? They all lead a wide-eyed actress to perceive their own view. The way they shift from physical to metaphysical appearance.
submitted on 2013-01-26 - (show video) Tweet |
80 Kg. In mortem Johann Fatzer | |
 | Un morto = 80 kg. di carne, 4 secchi d’acqua, 1 sacchetto di sale
A dead man = 80 kg of meat, 4 buckets of water, 1 bag salt submitted on 2013-01-26 - (show video) Tweet |
Jendela-jendela windows | |
 | people see with their point of view.
every people has different idea.
every window has a story.
because what you see, not really what you get. submitted on 2013-01-26 - (show video) Tweet |
Le monde tombé | |
 | „Le monde tombè“ is an experimental video performance that deals with the perception of time, showing a monologue that confronts the finiteness of time with its eternity. Originally the monologue was spoken backwards while dissecting a fish. In the editing the film was set backwards so the spoken word can be understood and the fish is being dissected into a whole body.
By Evy Schubert.
6:30 minutes, DV.
2008, re-newed version 2012, Berlin, Germany.
Further information: www.evy-schubert.de/mondetombe.html
submitted on 2013-01-26 - (show video) Tweet |
Celebration of post-soviet bondage | |
 | "Celebration of post-Soviet Bondage" (Original title "Zelebration postsowjetischer Hoerigkeit") adapts the vision of the German sociologist Max Weber that every individual is being ruled by outer rational, bureaucratic and capitalistic forces of the modern states.
Here this fear is connected to the sentient individual lost in the post-Soviet state of imprisonment and inflexibility between bondage of old rules competing with the new demands of Western economic and democratic state systems.
The video is a comment on the political and sociological transformation processing since the end of the Cold War.
CONCEPT AND REALIZATION: Evy Schubert
MUSIC: Uli Himstedt
HD, 01:53 min, Tbilisi, Georgia, 2012.
Funded by European Cultural Foundation, Step Beyond Travel Grant.
Supported by GeoAIR Collaborative Cultural Projects, Tbilisi, Georgia.
submitted on 2013-01-26 - (show video) Tweet |
Animal Político: Cavalete Ambulante | |
 | This work was produced with the intention of questioning the political attitudes in elections. Aristotle said man is a political animal because he is the only reason to express. But at election time this characteristic seems lost in the desperate race for power and money. Moral values are replaced by the value of the currency. The landscape is quickly swallowed the propaganda that wanders the city. Dreams that could be built together are divided by partisan issues, opinions advocating for their own selfish interests. And the true ideals? Are easily forgotten, pushed aside. Every elect (...) (read more) - submitted on 2013-01-25 - (show video) Tweet |
Dancing landscapes | |
 | Dancing Landscapes
Video, 16:9, PAL, 7 min. 30 sec, 2012
Dancing Landscapes is a video that endeavors to reveal the poetics of everyday life unconstrained by the standard documentary format. A selection of random shots taken from an area near the artist’s home (a maximum distance of 5 km was maintained) for a period of over three years are weaved together, superimposed with the international news headlines of the day they were created. The musical piece, a Chopin nocturne, which gradually binds the disparate shots was recorded by the artist as a favour to the musician who simply wanted some recordings of her playing, independently of the project. The title is borrowed from complex system analysis where a model resembles an unstable mountain range used when nothing is constant, and everything is in a flux and interconnected.
submitted on 2013-01-24 - (show video) Tweet |
There are tree kind of people, those who can count, and those who can´t | |
 | "Hay tres tipos de personas, las que saben sumar, y las que no".
"There are tree kind of people, those who can count, and those who can´t". submitted on 2013-01-24 - (show video) Tweet |
Heteronym | |
 | Director/Editor/Camera operator
Ines von Bonhorst
Performed by
Madalena Pinto
Color Correction by
Yuri Pirondi
Music by
Hur Hur (Wheel Pyora)
Heteronym
(Inspired from some phrases of Fernando Pessoa)
How idyllic life would be, if it were lived by another person?
I subsist as a kind of medium of myself, but I'm less real than the others, less substantial, less personal, and easily influenced by them all….
I've always belonged to what isn't where I am and to what I could never be…
I've no idea of myself. I am a nomadic wanderer through my consciousness….
I have the tendency (...) (read more) - submitted on 2013-01-24 - (show video) Tweet |
Standing Silence | |
 | Idea and direction of Ines Von Bonhorst
Cinematography by Yuri Pirondi
Performed by
Eve Tenenbaum
Madalena Pinto
Amos Shein
Marlon Random
Jules Thomasset
Max Max
Music live recorded at Under the Dust Studios
by Roberto Crippa
As the world moves away from the Industrial Age and deeper into the Information Age, the relics of our former industries can been seen ageing and abandoned. Often, older industrial buildings and sites are so polluted with the materials, once used or made there, that the locations can’t be used for much else. Since they can’t be used, they simply sit and gather the layers of time that make them fascinating until they are demolished, repossessed, or completely forgotten about. These abandoned factories, have served their useful lives and now stand silent. I want to explore all the different aspects of these buildings, such as aesthetic form and architecture.
submitted on 2013-01-24 - (show video) Tweet |
Emergencia | |
 | Yuri Pirondi
Ines Von Bonhorst
Performed by Azahara Ubera
Music by Mauricio Velasierra recorded live in Espacio Islandia on the 03-11-2012, in Madrid.
Emergencia is a performative video inspired by the allegory of Plato's Cave, narrating the light seen by the prisoner outside the cavern.
Prisoner's first reaction at the view of mountains, lakes and fields is pure astonishment, and fear of the unknown, it tooks him a while to assimilate his new freedom.
The piece is questioning if this first primordial freedom is insight to everyone of us, and how can be reflected in a urban context, relegated to the lines and the spaces of the city.
submitted on 2013-01-24 - (show video) Tweet |
Work without hope | |
 | "En el dia de la marmota, Bill Murray cita las lineas de un poema de Samuel Taylor Coleridge en "Work Without Hope".
"La idea de la película nace de "The Gay Science" de Friedrich Nietzsche. En su libro, Nietzsche da una descripción de un hombre que vive el mismo día una y otra vez".
"In Groundhog Day, Bill Murray quote lines from a poem by Samuel Taylor Coleridge in" Work Without Hope ".
"The idea of the movie comes from" The Gay Science "by Friedrich Nietzsche. In his book, Nietzsche gives a description of a man who lives the same day over and over again." submitted on 2013-01-24 - (show video) Tweet |
The Guise | |
 | Yuri Pirondi
Ines Von Bonhorst
Perfofmed by Sofia Figuereido
Music by Mauricio Velasierra and Heidi Heidelberg
Installation by Bruno Jamaica
The Guise is a piece inspired on the Allegory's of plato's cave, a story that essentially describes the human condition in one way or another. People just like us are imprisoned from birth in a cave. They are attached to that life and they are afraid to change. The chains made this human beings completely bind to themselves, to their lives.
The city is the cave and the cave is ourselves or part of us, the tree simbolizes the roots that suspend us and make us what we are.
The Guise is the thin line between what we believe and what is reality, is it possible that we actually conform ourselves to the rules of society where we born? Is this actually the ultimate true of life? submitted on 2013-01-24 - (show video) Tweet |
Glow-Worm | |
 | Ines Von Bonhorst
Performed by Eve Tenenbaum
Cinematography by Yuri Pirondi
Glow-Worm is the line between the three phases of the human being, birth, life and death. These three states are made by emotions and effects, they are in our consciences, our incorporeal spirit, in short of memories and dreams.
Each life is a unique experience that will never exactly duplicates.
Our experience is made by the light of our memory and the memories of who surround us. It will end up in an infinite circle where we as an individual life are so small and the universe where we have landed is immense.
"Out of the dark we came, into the dark we go. Like a storm-driven bird at night we fly out of the Nowhere; for a moment our wings are seen in the light of the fire, and, lo! we are gone again into the Nowhere. Life is nothing. Life is all. It is the Hand with which we hold off Death. It is the glow-worm that shines in the night-time and is black in the morning". submitted on 2013-01-24 - (show video) Tweet |
Void Shades | |
 | Void Shades is staged in dark and empty spaces of the city, these areas are outlined by the shadows and the architecture of the buildings.
They represents empty canvases where is possible to see anything that provoke or stimulate us. This work is inspired by the Allegory of the Cave by Plato, where the prisoners couldn't move and the only thing that they could see was their own shadows.
Void Shades embraces the idea of "container", transforming the cavern in a city, and the shadows of the prisoners in the passersby ones. submitted on 2013-01-24 - (show video) Tweet |
It Is Often | |
 | Everything, ultimately, is an elegy of one sort or another. submitted on 2013-01-24 - (show video) Tweet |
Actionpainting | |
 | Shot using pixilation, actionpainting is an exercise in making a quick and fun film. It took me two days from conception to finish, with the help of Nathalie Tafelmacher-Magnat, shot in my Berlin studio in between much longer and more ambitious pixilation projects that we are working on. The idea was to show the brutality of the art game, where it’s all or nothing, and the winner gets everything, which puts young artists under an enormous pressure to always come up with something new and even more outrageous. Having worked a lot with pixilation (stop motion with live actors) I am now able to (...) (read more) - submitted on 2013-01-23 - (show video) Tweet |
3 minutes song | |
 | A beautiful song, a beautiful place. submitted on 2013-01-22 - (show video) Tweet |
Kill me Hitchcock | |
 | One minute story, based on Hichcock's "Rear Window".
I printed a miniature of my town (taken from google maps) and I used a close-up lens 10x to shot with Canon EOS. Edited with Adobe After Effects. Music composed by Goffredo Orlandi. submitted on 2013-01-22 - (show video) Tweet |
Afterglow | |
 | Every empty house retains echoes of past lives. submitted on 2013-01-22 - (show video) Tweet |
Singularity | |
 | This is a simple video created using only still pictures (about 60), animated with pixel motion.
Were also included some vintage style effects, like kaleidoscope and strobe. submitted on 2013-01-22 - (show video) Tweet |
Journey to Your Mind | |
 | People spend hours in different vehicles daily, weekly, annually letting their mind flow. What it would sound like if you put all the places and thoughts together and mix them. I tried. submitted on 2013-01-22 - (show video) Tweet |
Blue Medusa | |
 | Abstracted images of nature and structures synced to the composition Medusa Excerpt of Dutch artist ferrie = differentieel, with added filters to strengthen the imagery.
Images and sound are created as a collaboration project submitted on 2013-01-21 - (show video) Tweet |
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