Senza titolo, quindi anche senza sinossi. :o) Il film cerca di raccontare l'incomunicabilità, la vita quotidiana, tutto può succedere, ma nessuno si accorge di nulla. Una cosa vale l'altra. Etc. Etc. Etc.

In the small village in Rajasthan, India, I made a film Time Conservation (2011). This project is about village girls, how they are growing up and what they dream about. Village people live according their customs and habits and don’t want to change anything. As a reference of this kind of time conservation and ritual actions I showed a play, which we did with local girls in a desert. This is a play of Soviet children, which was called SECRETS while we put some beautiful garbage into the hole and covered with glass and earth than, making it like a sarcophagus.

Doing research about elderly people in Italy, particularly in Biella, I found that there are many immigrants, who take care of them (from post-Soviet countries also). These two weak parts of society, the elderly people and the immigrants are trying to help each other, sometimes even despite of the law. Different cultures and different ages live in collaboration where they need each other. They help each other to survive, to make life easier and better. Moreover I found an interesting phenomenon that despite a difficult situation – or maybe because of it – some people are trying to construc (...)

Triptych of a telematic intervention in a Cathedral in Brazil. Documentary and theatrical documentations blur borders between actual and virtual worlds in fluid frames-within-frames. The cellphone's itinerant gaze maps the cathedral-body within another body, in communion with mobile modes of communication.

A camera-zoom picks out dormant passengers as it hurtles through layers of private and public dream-space, steered by the incessant rumblings of an Airbus engine that propels the stillness of photographic time into the unstoppable flight of cinematic time.

The 1:22 minutes video deals with manhood and assertiveness. It may also be viewed as a small parody about myself.

“Hisab” is an animated film based on Ethiopian urban folk story. The story follows three animals common to Ethiopian cities (a goat, a donkey, and a dog) on a taxi ride. Through their interactions the story reveals each animals nature.

The body who trying to get rid of contractions that cause extinction in the area of the cemetery of represent of death, it actually works to restructure its existence. The body re-exists itself each of contraction. This film clearly shows that the body in a purgatory between the extinction and existance how the resistance is applying against extinction.

An experimental video, dealing with the concept of technological singularity and the idea of creation of an artificial smarter-than-human intelligence. The title refers to human striving for perfection, invulnerability and immortality. By juxtaposing found footage from TV commercials with self-recorded material, the work illustrates our hopes and fears regarding technological progress and the idea of the perfect human.

Presentation of “todayness-reality” through the eyes of author. Thus a composition is created through which a specific perspective of objective reality is shown. By intervention within the frames the author is exploring the newly created picture which develops during those 7minutes. Relying on the theory of sociology and experimental film the author presents the audio-visual work in which the documentary record is shaped by a series of graphic elements (line, colour, composition) as well as auditive ones, upon the already existing recorded background picture and sound.

My work focuses on the symbolism of the ceramic vessel; in particular it’s connection to sexuality and the female form. The table ware comes alive and performs. In it’s combination of real and unreal images, alterations in scale and dreamlike scenes the `Tea party´ evokes childhood tales, combining them with suggestive imagery. The result is a carnivalesque tea party that turns the world upside down. And, strange to tell, among that earthen lot Some could speak, while others not And suddenly one more impatient cried Who is the potter, pray, and who the pot? (Rhubbayat, Omar Khayyam) I am the little teapot.

A man walking in a dump. He's collecting dirty, unusual, useless items. He brings them home, catalog them, and then leave his house. Now he’s dragging himself in a desolate landscape, losing parts of a past that he left behind. Sillogomania (compulsive hoarding) is the excessive acquisition of possessions, even of worthless, unusual or even unsanitary items.

Inspired in the 8-bits videogames world, W shows a tiny light crossing a cosmic scene. The goal of this light is the matter of the piece: the human capacity to transform in entertainment an act that at the same time es condemned, criticized and used as a pretext to apply the same action to others.

"Utopia lies at the horizon. When I draw nearer by two steps, it retreats two steps. If I proceed ten steps forward, it swiftly slips ten steps ahead. No matter how far I go, I can never reach it. What, then, is the purpose of utopia? It is to cause us to advance”

CONSTANTIN HARTENSTEIN FEIT 2011 Video Installation/Film Super8 transferred to HD File 16:9 b/w Stereo Sound FEIT deals with the topic of "sibling rivalry" through presenting narrative images of two wrestlers fighting. The material is taken from a GDR sport education movie from 1979. The images were edited in a way that the movements of the athletes tell the story of a (pseudo-)affectionate and brutal love-hate relationship between two protagonists. This story points at siblings in nature and their fight for survival. The audio track adds another layer to the presented im (...)

Joeri Pruys made a short experimental film every week for twenty weeks in a row. This is number 020. Model: Maaike Bouma. Music: 'Gymnopédie No. 1' composed by Erik Satie (1888).

Joeri Pruys made a short experimental film every week for twenty weeks in a row. This is number 015. Model: Maaike Bouma. Music: 'Petites Esquisses d'Oiseaux - La Grue Musicienne' (Small Sketches of Birds - The Song Thrush) by Olivier Messiaen (1985). Shot on the Erasmus Bridge, Rotterdam (en.wikipedia.org/wiki/Erasmusbrug) designed by Ben van Berkel (1996).

Joeri Pruys made a short experimental film every week for twenty weeks in a row. This is number 012. Model: Maaike Bouma. Music by Iannis Xenakis. Excerpts from Concret PH (1958); Bohor (1962); Orient-Occident (1960); Diamorphoses (1957–58). Shot in and around Slot Loevestein, a fourteenth century Dutch castle.

Video footage Figures takes shape through the analysis, understanding and perception of existing sound, provoking images unfold frame by frame causing an insistent flicker wich questions as well the exhibition and perception space with a convulsion cadence. Images and sound, are considered as positive spaces presenting a meticulous timing. The found footage allows the activation of an image already experienced, their capture, manipulation and alteration of their time and their spatiality. The documental imagery appropriation focuses on rituals, obsessions, compulsions and repetitions in a correspondence to the figure in music, in a sense of repetition and questioning of temporal linearity.

A short experimental animationfilm that is bases on the poems of the poet MiaMia. I made collages of pictures in magazines an drawings I made myself. I put everything together on the computer using Adobe After Effects.

The title refers to our relative and subjective position towards the world in the context of changing location. The crown of a tree resembles its invisible root. They are strong and sturdy creatures bond to the land they grown upon. Unlike most of us they live and die at the same place. Using such metaphors combining with cinematic methods in order to express feelings and experiences of loosing and finding perspectives through the process of moving/living.

The concept behind this piece is inspired by Jeff Smith's montage "You Just Don't Get It, Do You?" of mostly bad Hollywood films. Following the shorten version of Jeff’s montage, vignettes, with myself as an actress, parody the typical Hollywood line of dialogue. I recite the cliché while melodramatically staring into the viewer’s eye- shattering the line between comedy, cinema, and experimental film. The film is a critique on the art of screenwriting as well as the cinematic world.

'Nostalgia' creates a video artistic narrative through animated 2D compositions; based on a nostalgic human figure within the city. In particular, the focus on the spatial emptiness (streets, empty spaces) and the liminal mood, constitute the perfect public space to locate the element of the public urban screen as a medium of blue skies transmission. The city is empty, static and there is everywhere a feeling of blasé attitude, according to Surrealists. Even in this emptiness, unfolded CCTV cameras observe and record the strange habit of this figure to stand and gaze in front of the big scree (...)

CONSTRUCTION is a short video that explores personal transformation and self discovery. The audio track is composed of the author hummiing, trilling and singing 'Ring Around The Rosie" the present day childrens song that comes down through the centuries from the Plagues of the Middle Ages and describes the symptoms, ('ring around the rosie'(first symptoms to appear on the skin), attempts to cover up the foul smell ('pocket full of posie') , and the scene of massive deaths, and the burning of the infected bodies: 'Ashes, Ashes , we all fall (dead) boom").

L’opera esaspera la brutalità spesso latente e mascherata delle immagini televisive e l’indifferenza con la quale le introiettiamo, come se le scene di violenza proposte giornalmente dai media fossero anch’esse ricostruzioni fittizie. L’approccio ludico a cui invito lo spettatore può farlo slittare verso il gioco proibito degli adulti: un gioco che mischia consapevolmente realtà e finzione.

This abstract video about a calendar. Here days are fixed not by figures and days of week, notches in the changing size and depth.

Cologne Hohenzollern Bridge, Rhine river kilometer 688.5. Entry by train in to the central station Cologne. Arrive. Dipping, Coming home!

This works juxtaposes a typical car alarm with an Islamic motif found originally in a Mosque in Cairo, Egypt. The brightly coloured circular shapes recall the imagery of mosaic tiles in Islamic architecture and transform them with the chaotic, flashing lights in the landscape of New York.

"...When he fell asleep, the person made of knowledge, by knowledge taking his knowledge with him, lay down in the space within the heart. When the person takes these to himself, he is said to be asleep: the breath is taken, the eye is taken, the ear is taken, the mind is taken. When in dreams he moves about, these are his worlds."

The need and the obsession of liberating the self from its own reality. Raw art and craziness.

Investigations of the human body (of the artist by himself) using unusual angles, to develop the idea of strangeness. Images around the artist's head during silent speeches.

Experimental video art that uses photo-video and drawing technics to build a poetic image of a brainstorm. Produced during the "Forest Interactions Award 2011" / artistic residence Terra UNA, in Liberdade-MG, Brazil.

"Le Reel Sainte Anne" is a video made for a fictional band name Jazzissimo. The creation of this folk music is attributed to a french canadian composer named Joseph Allard (also named under the pseudonym of Maxime Toupon) around 1930. The Jazzissimo is a band who was born a long time ago... So long that the members of the band figures as divinity in the jazz Pantheon. ____________________ "Le Reel Sainte Anne" est un vidéo réalisé pour le groupe fictif les Jazzissimo. La création du Reel de Sainte-Anne est attribué à Joseph Allard (également connu sous le pseudonyme de Maxime Toupon) autour de 1930. Les Jazzissimo est un quatuor aux origines si lointaines que ses membres font figure de divinités au panthéon du jazz.

A picture for images, music and concrete sounds. Orio al Serio (Bergamo - Italy) International Airport is like a... moving town in which passengers co-exist with space and time in the rare knowledge of living an in-between moment connecting the present and the future! Sound represents the element which was used to create this piece. Sounds, produced by aircrafts, machinery for transporting luggage, other vehicles in the airport, or the mobile phones of passengers waiting for their flights... become the “engine” of a music composed by Alberto Nacci using the same tones and rhythms. This (...)

Trine. Performance: metaphorical trine and lace to be evoked and/or embroidered, for the friends, with reminiscenses that are not memories because they are still alive, with musics and sounds from the sea and from the heart, for shared feelings of human beings. “Come in cielo … così in acqua” Credits: at “Aardverx” open studio of Dawn Redwood, in London, on 28th November, 2011. Music: “Ballata_foglie” di Dario Della Rossa. Video taken from a tripod, showing the entire action. P. S. I am not a video maker, but somebody told me there's something in the recording...